Motif 19: Herzeleide
German name: Herzeleidemotiv
Herzeleide (Wolfgang Windgassen; ogg format)
Left: A Bayreuth postcard showing Parsifal and Kundry.
This is the motif associated with memories of Parsifal's mother, Herzeleide (Heart-in- Sorrow). Like Tristan, Parsifal is stricken with grief at the knowledge that he was (innocently) responsible for the death of his mother. His feeling of guilt is exploited by Kundry in the second act. The origin of the Herzeleide motif can be found in the three notes descending by semitones in the Grundthema (motif #1, fragment G); that is, the same notes that are the basis of the motif of Suffering. These notes are marked in example A, above. Lorenz called them the "basic motif of suffering or passing away" (Urmotiv des Leidens oder Vergehens).
Long before we hear any mention of Parsifal or his mother, the Herzeleide motif starts to develop at bar 168 (
Below: Herzeleide motif in its embryonic form.
In short, the Herzeleide is one of a group of interrelated musical ideas that concern suffering. Where the Prophecy might be said to look forward to the hero's future, the Herzeleide motif looks back to his past. We first hear the motif complete when, in response to Gurnemanz's questioning, Parsifal admits that he once had many names but now cannot remember them (example A).
In the second act the Herzeleide motif is heard when Kundry tells Parsifal about his mother. Here it leads into what Wolzogen called "the
second Herzeleide motif"; which Lorenz preferred to call Love's Sorrow (Liebesweh). There is no direct relationship between the
first and second so-called Herzeleide motives, except that each of them begins with a falling interval, in the former case a fifth, in the latter a tritone. Lorenz
also identified a variant of the Herzeleide motif at
References: von Wolzogen ex.12 and ex.16, Lorenz p.20-21, p.60, p.124, Lavignac p.454, Kufferath ex.21, Newman ex.23, ENO ex.58, Bauer pp.60-62.